Charles de Kay

Of Charles de Kay, for nearly forty years a member of the Century, Robert Underwood Johnson once recalled that “in the Seventies de Kay, then recently returned from Europe, a handsome and spirited figure in New York life, was showing himself one of the best-equipped and ‘all-around’ literary men of that day. He was the master of more branches of knowledge than any man I have ever met—art, science, philosophy, Oriental lore, general literature.” De Kay’s remarkable memory was stored with a wealth of folktales, gathered from his reading in seventeen languages. When his eight children were young, he used to spin them serial yarns that often ran to twenty nightly instalments. His earlier American Indian story “Manmat’ha,” published in the Atlantic Monthly anonymously, as was then the custom, was attributed to Hawthorne. The Scribners brought out four full volumes of his poems in the early Eighties, but the greater part of his writing was on art and literature, and appeared through several decades in the New York Times and Evening Post. Persistently and almost alone, he early expressed his appreciation of the painter, Albert Ryder.

Alexander Dana Noyes
1936 Century Association Yearbook